The catcher in the rye rewrite

Crouch down behind your character and describe yourself as the character. Tell what your role is in the book and how you relate to the other character you have made. Create a sculpture of a character. Use any combination of soap, wood, clay, sticks, wire, stones, old toy pieces, or any other object.

The catcher in the rye rewrite

Subscribe to our FREE email newsletter and download free character development worksheets! Too formulaic, they say. Takes the fun and creativity out of it, they claim. A write-by-the-numbers strategy for hacks, a vocal few plead.

Makes them sound—or more accurately, feel—more writerly. None of how story structure is labeled out there in workshop land is inherently wrong, nor does it really matter.

What you call it is far less important than how you implement it.

The catcher in the rye rewrite

And even before that, the extent to which you understand it. Thank God for screenwriters. Because they call it like it is. In fact, most of them think Oxford is a loafer. A couple of pinch points. A hero who learns and grows, someone we can empathize with and root for. Scenes that comprise the connective tissue among them all.

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Then execute all of it in context to a fresh and compelling conceptual idea, a clear thematic intention, an interesting worldview, and a clever take on the plot.

I dunno, it all sounds pretty creative to me. The catcher in the rye rewrite other words, a blueprint for storytelling. One that, when understood and marinated in artful nuance and dished with clean writing, becomes nothing less than the Holy Grail, the magic pill of writing a novel or a screenplay.

But perhaps for the first time, eminently clear. Then we come to Part 4: There is no blueprint for it. And no rules, either. This Free Download Will Help! If something appears in the final act, it must have been foreshadowed, referenced or already in play.

And in so doing, the enlightened writer observes the following guidelines and professional preferences. The Hero is a Catalyst.

The catcher in the rye rewrite

The hero of the story should emerge and engage as the primary catalyst in Part 4. He needs to step up and take the lead. It happens, but never in a title anybody remembers. The Hero Grows Internally.

The hero should demonstrate that he has conquered the inner demons that have stood in his way in the past. The hero applies that inner learning curve, which the reader has witnessed over the course of the story, toward an attack on the exterior conflict that has heretofore blocked the path.

A New and Better Hero Emerges.

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The hero should demonstrate courage, creativity, out-of-the-box thinking, even brilliance in setting the cogs in motion that will resolve the story.

This is where the protagonist earns the right to be called a hero. This is the key to a successful story, the pot of gold at the end of your narrative rainbow.

If you can cause all of those emotions to surface, you just might have a book contract on your hands. Or, if not intuitively, then after some serious introspection and long walks in the woods with a digital recorder. Only by having an executed story plan as a baseline for the perhaps somewhat slightly more organic unfolding of Part 4 does this process stand a chance.

Even if you get a better idea for how to end your story along the way, this provides the richest landscape for that to happen. Same process, different tolerances for pain. The prospect of rewriting the first pages does that to a writer.The Glass Universe By Dava Sobel Out December 6 We've been hearing a lot about women in STEM these days.

But the truth is, the science wouldn't be what it is today without the ladies of yesteryear. T he priest raises his arms, palms upturned.

“Lord Taranis, hear our prayer!” he bellows, voice bouncing off the stone pillars and into the darkening fields beyond. The fire’s crackle fills the stone circle. This article offers a collection of interactive activities that help kids become more involved in the stories that they read.

BibMe Free Bibliography & Citation Maker - MLA, APA, Chicago, Harvard. Fan fiction or fanfiction (also abbreviated to fan fic, fanfic, fic or ff) is fiction about characters or settings from an original work of fiction, created by fans of that work rather than by its creator.

Fans may maintain the creator's characters and settings or add their own. It is a popular form of fan labor, particularly since the advent of the Internet. by BJW Nashe. A Comeback.J.D. Salinger, who died in January of , is now poised to make a posthumous literary comeback.

A probing biography released earlier this year sheds new light on the enigmatic author, whose life has been largely shrouded in mystery.

5 fantastic examples of voice – bekindrewrite