Get Full Essay Get access to this section to get all help you need with your essay and educational issues. A person who supports this is referred to as a feminist. Christianity on the other hand refers to the religion that is based on the teachings of Jesus Christ and the belief that he was the Son of God. Those who follow this religion are referred to as Christians.
Feminism is the dominant theme, as Ibsen investigated the tragedy of being born as a bourgeoisie female in a society ruled by a patriarchal law.
If examined more closely, one can find traces of Marxist Ideology and other schools of thought. The first thing that I am going to start with is shedding light on the feminist attributes that this play is throbbing with and try to see it with the eyes of feminist writers like Simone de Beauvoir, Michel Foucault and other feminist writers.
Norma Helmer is the best illustration of the illusioned woman who lives in a society where the male oppresses the female and reduces to a mere doll or plaything.
Nora Helmer is that doll living in her fake doll house, which reinforces the fragile idea of a stable family living under a patriarchal and traditional roof. We should regard the female nature as afflicted with a natural defectiveness.
Then, her father handed her to her husband who treated her like a valued possession. He used to call me his doll-child, and he played with me the way I used to play with my dolls. And when… Daddy handed me over to you.
Once accompanied by the gift of beauty, these attributes will ensure them the protection of man. How lovely and secure our home, Nora. A sanctuary for you. He forbids her to eat macaroons; he makes her dance for him, dress up and recite for him.
On the other hand, not only Nora is treated as a spoiled child but also as a sexual object that her husband fantasizes about. He fantasizes that they are just arriving from their wedding and are alone for the first time together.
He is so possessive about her to the extent that he refuses to share Nora with female friends, like Mrs. Here, Nora becomes what Michel Foucault calls a docile body regulated by the norms of cultural life. As Simone de Beauvoir has stressed, Nora has been taught not to take but to receive.
She has gained only what her husband and father have been willing to grant her. If they belong to the bourgeoisie, they feel solidarity with men of that class, not with proletarian women. That feeling tormented her to the extent that she contemplated suicide. She is not even good enough to be a mother!
Despite her great sacrifice driven by her love for her husband, Nora agrees that she is a bad influence on her children. She even decides to isolate herself from her kids and let the nursemaid take care of them fully. It could never be true.
The whole thing is an abyss of ugliness! You ought to be ashamed. But here we tell De Beauvoir that Nora is willing to bring about the change. The harsh reality smacks her in the face; a wave of disillusionment wakes her up.
She decides bravely to abandon her family to escape the restrictive confines of the patriarchal society she lives in. She is resolved to go out into the world and gain real experience. She is determined to think out everything for herself and be able to make her own decisions.
That is, the female ideology is supported and reinforced by the social structure in which women have little social, political, or economic power. In addition to Nora, we have the character of Mrs. We also come across the character of the nurse who had to give up her child conceived outside the wedlock in order to keep her job.
In the play, Torvald Helmer, who is a bank manager, confesses that one of the reasons that made him fire Krogstad, one of his employees, was that he was a former schoolmate and still insists on calling him by his first name in front of the other employees at the bank.
This embarrasses Torvald and makes him uncomfortable. We also have the character of Mrs. She feels all alone and hollow, working for herself.
Linde is the best example of the working class person who tastes the bitterness of a materialistic life being reduced to the value of a mere commodity and a producer of labor power. The relationship between Torvald and Helmer evolves according to a Master-Slave relationship.
I used to enjoy it when you played games with me, just as they enjoyed it when I played games with them. What she saw was not the true reality, but the shadow of reality. She was content with her role as the subservient female whose fate was determined by that of her husband.The character and story of Louise Mallard in Kate Chopin’s “The Story of an Hour” reflects the feelings of women towards their partners at a time when women were repressed and that the price of freedom oftentimes comes in the form of the death of the male partner - The Joy that Kills: A Feminist Reading of Chopin’s The Story of an Hour.
The difference between the two can be explained through the analysis of two plays, one from each style. Caryl Churchill’s ‘Top Girls’ which is an exploration of women explored and introduced through a feminist perspective by a female character reveals important.
Awakening, The Beowulf Brave New World Catcher in the Rye, The Comedy of Errors, The the feminist approach is the correct approach, just as the Freudian will hold to the Freudian. Truly, the point Multiple Critical A Streetcar Named Desire Perspectives.
Ho u s e. A Streetcar Named Desire. Jun 28, · Feminist analysis on literature or Feminist Criticism is a kind of literary criticism informed by feminist theory, or by the politics of feminism more broadly. It shows the struggle of women to get the same position as a men or being free of man-dominated.
Home › American Literature › Catherine Bourne as a New Woman: A Feminist Perspective of Hemingway’s The Garden of Eden. Catherine Bourne as a New Woman: A Feminist Perspective of Hemingway’s The Garden of Eden By Nasrullah Mambrol on July 15, • (0).
The emergence of first representatives of sexually liberated, free thinking woman in American literature who comes to be . There is extensive critical controversy surrounding the ending of Kate Chopin’s novel The Awakening. One group of critics focuses on the novel as a feminist text.
They argue that Edna Pontellier’s awakening is one of mental clarity, and her suicide is a triumphant act.